28th Five Films, 2007

Family Ties (Kim Tae-yong) at Cinema Village for the New York Korean Film Festival. I was shocked by how little I enjoyed this one. It won all kinds of awards and played a ton of festivals. There was a lot of laughter among the Koreans in the audience that I really couldn't understand all that well, so I have to assume that I missed out on some part of the movie culturally or linguistically. That said, I suppose I'm not as into really overwrought performances as the people who hand out acting awards or many types of critics. Perhaps it just seemed like we didn't really spend enough time iwith any of the characters to really care about their problems as much as we were clearly expected to. The film ties together various dysfunctional family groups over the course of a couple of decades. The families are all humorless and masochistic.

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The Old Garden (Im Sang-soo) at Cinema Village for the New York Korean Film Festival. A stunningly beautiful film. Interesting both historically and dramatically. Great use of weather and natural settings. It does drag a bit toward the end, but that's relative, since most of it's just so good.
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The Puffy Chair (Jay Duplass) at the IFC Center. I think I avoided seeing this when it was first released strictly on the basis of it's ridiculous-sounding title. As noted above about Family Ties, I often don't care for movies which mostly take place in an atmosphere of unpleasantness, but perhaps the sorts of unpleasantness on offer here were sort of comfortingly familiar. I enjoyed Mark Duplass in both this and Hannah Takes the Stairs. He seems to capture the essence of a particular personality which I usually recognize in others but certainly share a bit of myself some times. I kept worrying everything would teurn out okay, but then was very pleased that it didn't. And, yeah, the soundtrack was at several points a pleasant reminder of my era in college radio.
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Team Picture (Kentucker Audley) at the IFC Center. Audley, who stars in the film and answered questions after the screening, used neither opening nor closing credits, apart from a mention of a filmmaking group in Memphis, and suggested that the budget for the film was approximately $100. He plays a young man so laconic he at times seems nearly catatonic. A rather different type of city from New York or Chicago, aimless drifting in Memphis looks a bit more sluggish onscreen. For example, the characters lounge in the front yard trying to keep cool with their feet in a kiddie pool, something you probably wouldn't see in Aaron Katz's Park Slope or Andrew Bujalski's Boston. Audley also mentioned that the stepfather was played by a local sportscaster, about whom he was very enthusiastic and hoped to work with in the future.
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Hohokam (Frank V. Ross) at the IFC Center. Named after the native civilization that predated European settlement of the Phoenix area, this is another film that stands out in the series due to the unusual location. Basically it explores an unexciting yet fulfilling relationship between two people somewhere in the Valley of the Sun, which looks harsh and inhumane, full of undeveloped lots and pedestrian-hostile highways. Ross focuses a lot on bodily functions (excretion, sickness, hydration, etc.) at least partially as they are affected by the Arizona climate. His was perhaps the most edifying post-screening Q&A I've attended thus far. The score was recorded by Happy Apple, and is probably roughly what you might expect if you're familiar with them.
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27th Five Films, 2007

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Hannah Takes the Stairs (Joe Swanberg) at the IFC Center (w/ Stylus editor Todd Burns) for a Stylus review. Note: I do not recall spotting Ivan's character, named Stephen, though I suspect he appears at the party early in the film.
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Funny Ha-Ha (Andrew Bujalski) at the IFC Center. I remember being kind of stunned by this the first time I saw it, which was in my room at the end of junior year. I think I grasped it a little better this time, but I loved all the same bits. Bujalski's main characters just really bounce around like pinballs without specific motivation, which is sort of the opposite of the basis of narrative construction, but it works so well. You should probably watch this right now if you haven't.
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The King of Kong (Seth Gordon) at the IFC Center. This has been getting a ton of good press, creating much more of a stir than I'd initially thought given the concept and first-time director. It seems to have incredibly broad appeal given the very traditional hero/villain scheme, yet in an unfamiliar enough setting that it doesn't feel hackneyed. Also, I hadn't realized that Life Magazine had chosen Ottumwa, Iowa, as the site of their 1982 convention of the top arcade gamers from around the country. The only things I can say about Ottumwa are that it's the hometown of Tom Arnold, I took my SAT there, and the first time my family drove through it the place smelled something awful.
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Tazza: The High Rollers (Choi Dong-hoon) at Cinema Village as part of the New York Korean Film Festival. It's a mostly fun and stylish, if slightly violent, film about gamblers who play sotda which has 20 small, thick cards in its deck. It's also pretty long, at 139 minutes. I noticed looking at the program guide today that the six films I plan to see during the festival average 123 minutes, which I think is probably 20 minutes longer than your median Hollywood film, though I'm unable to find statistics on that.
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Superbad (Greg Mottola) at the Regal Union Square 14. They were packing 'em in for this one on Saturday night as the screenings both before and after were sold out when I bought my ticket. Have you seen the trailer for National Treasure 2? I mean, I saw most of the first one on TV earlier this year, but even compared to that the sequel looks completely ludicrous. I'm sure you'll find out about it soon enough. But yeah, Superbad was just about what I was expecting in all the right ways. I'll be excited to see just where Michael Cera's career goes, either on TV or the silver screen. Aside: The web series Clark and Michael follows him and minor Superbad cast member Clark Duke as they pitch a television series.
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26th Five Films, 2007

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8 Bit (Ramocki) at MoMA. Not stunning as a film, per se, but the content was fascinating. I'd had a general idea about this stuff before, but it was great to see some (tiny) club performances of 8-bit music and the interviews were great, especially the dudes in the Furry costumes. Check the website linked to at right. Also check out Tree Wave, who covered Joy Division's "Disorder" in one of the clips from the film.
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Breaking News (To) at BAM. The opening shot, a bit reminiscent of the one from Touch of Evil, is unforgettable. The hostage scenes in the apartment are my favorite, and not dissimilar to early scenes in To's Exiled, which finally gets theatrical release here in New York pretty soon. There was a marching band from BAM practicing Rihanna's "Umbrella" in a parking lot on my way out. Seeing as how I missed the four o'clock screening I was headed to anyway, I wish I'd stuck around, because they sounded terrific.
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Scarlet Street (Lang) at Film Forum. I've now seen three of Fritz Lang's sound films (M and The Big Heat) and they've all been right up my alley, which gets me excited for MoMI's retrospective coming up this October. Edward G. Robinson is expectedly great, and all the supporting actors come through strong in what are mostly pretty unsympathetic parts.
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Side Street (Mann) at Film Forum. Maybe because I was a bit tired after walking a lot and already having seen a couple films, but this didn't seem to stack up to the first part of the double feature. The shot featuring the faces of Farley Granger and a cop in extreme close-up at the beginning was memorable, and I guess there were a few pretty interesting plot twists, but I wasn't jolted like I ought to have been.
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Kissing on the Mouth (Swanberg) at home on DVD. Won't be able to catch this at the IFC so I thought I'd get it from Netflix beforehand. Discovering Ivan Albertson listed in the credits I checked IMDb to see that he was the TV voice in the background for a minute or two about a third of the way through the film, which I only recognized upon a re-viewing/listening. Good thing I checked, as now I won't be totally shocked to see him appearing tomorrow in Hannah Takes the Stairs.
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Rolling Best Of, 2007: Music

I was just thinking on the train today that this would be useful. Links and labels will filter in gradually along with new selections. Sasha Frere-Jones started his '07 list back on December 19 of last year.

Latest updates are in bold.

TRACKS
  • Âme "Fiori" [Ostgut Ton]
  • Andy Stott "Handle With Care" [Modern Love]
  • Appleblim "Vansan" [Skull Disco]
  • Audio Werner "Flatfunk" [Circus Company]
  • Audion "I Gave You Away" [Spectral]
  • Beanfield "Tides (Ripperton Mix)" [Compost]
  • Bebel Gilberto "Bring Back the Love (Prins Thomas Re-edit)" [Ziriguiboom]
  • Blitzen Trapper "Wild Mountain Nation" [Lidkercow Ltd.]
  • Bodycode "Exciting Ride" [Spectral]
  • Carsten Jost "Atlantis" [Dial]
  • Escort "All Through the Night (The Rapture Remix)" [Escort]
  • Foreign Born "Never Wrong" [Dim Mak]
  • Grand Archives "Sleepdriving" [(Unreleased)]
  • Harald Bjork "Brus/Luftlust" [Traum]
  • Ink & Needle "Seven" [Tattoo]
  • Jeff Samuel "Lost" [Trapez]
  • John Daly "Sky Dive" [Plak]
  • Kano "Layer Cake"
  • Lawrence "Friday's Child" [mule]
  • Lazy Fat People "Club Silencio" [Planet E]
  • Lindstrom "Breakfast in Heaven" [Feedelity]
  • Los Campesinos! "You! Me! Dancing!" [Arts & Crafts]
  • Martin Buttrich "Well Done" [Four:Twenty]
  • The Martinez Brothers "My Rendition" [Objektivity]
  • The Mary Onettes "Lost" [Labrador]
  • Matthias Tanzmann "Nip Slip" [Moon Harbour]
  • My Morning Jacket "It Makes No Difference" [429]
  • Ripperton "10a" [Liebe Detail]
  • Sebo K/Metro "Transit" [Get Physical]
  • Stardiver "Another Moment of Silence" [Kompakt]
  • Ted Leo "The Sons of Cain" [Touch & Go]
  • Tiger Stripes "Hooked" [Liebe Detail]
  • Timbaland (ft. Nelly Furtado & Justin Timberlake) "Give It to Me" [Interscope]
  • Travis Morrison Hellfighters "As We Proceed" [Barsuk]
  • UGK (ft. Outkast) "International Players Anthem" [Jive]
  • White Rainbow "Mystic Prism" [Kranky]
  • Grovesnor "Nitemoves" [Hi-Beat]
ALBUMS
  • Pantha Du Prince This Bliss [Dial]
  • The Arcade Fire Neon Bible [Merge]
  • Christ. Blue Shift Emissions [Benbecula]
  • Junior Boys Dead Horse EP [Domino]
  • LCD Soundsystem Sound of Silver [DFA]
  • Animal Collective People EP [FatCat]
  • Eluvium Copia [Temporary Residence]
  • The Clientele God Save the Clientele [Merge]
  • Lucky Soul The Great Unwanted [Ruffa Lane]
  • Black Moth Super Rainbow Dandelion Gum [Graveface]
  • New Young Pony Club Fantastic Playroom [Modular]
  • Arthur & Yu In Camera [Hardly Art]
  • Spoon GaGaGaGaGa [Merge]
  • Deerhunter Cryptograms [Kranky]
  • Caribou Andorra [Merge]
  • Liars Liars [Mute]
  • Animal Collective Strawberry Jam [Domino]
  • Simian Mobile Disco Attack Decay Sustain Release [Interscope]
OLDER
  • Black Devil Disco Club 28 After [Lo]
  • The Durutti Column LC [Factory]
  • VA Golden Apples of the Sun [Bastet]
  • The Flying Burrito Bros. Gilded Palace of Sin [Edsel]
  • Fennesz Venice [Touch]
  • Joy Division Unknown Pleasures [Factory]
  • Manitoba/Caribou Start Breaking My Heart [Factory]
  • Liars Drum's Not Dead [Mute]

  • Shackleton "Blood on My Hands" [Skull Disco]
  • Rich Boy "Throw Some D's" [Interscope]
MIXES
  • Nightclubbing (Linger & Quiet)
  • Struggledubs 5 (DJ Struggle)
  • Springshowers (P. Sherburne)
  • Chips the Light Fantastic (P. Sherburne)
  • Music for the Evening After (P. Sherburne)

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Keywords

So, I decided to glance at the recent keyword activity this evening to see if anything interesting came up. The biggest thing I noticed is that I get most Google-linked hits from people searching for particular songs. Otherwise people are searching for things like:
  • jim carrey similar shane battier
  • who is person on wooderson's shirt
  • mankind in its entirety. i can only
  • s
No real world-beaters, but I do find it interesting that someone searching for the letter "S" (in Spanish nonetheless) navigated to this blog.

25th Five Films, 2007

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Billy Liar (John Schlesinger) at MoMA. I've never been a real big fan of the false reaction gag, except for that scene in High Fidelity where John Cusack imagines reacting more and more angrily to Tim Robbins' interloping hippie until it reaches the point where Todd Louiso rips the air conditioner out of the wall and bashes his skull in with it. I also tend to not get excited about stories where the main point is that the character spends most of his time in an imaginary alternate universe in order to take the sting out of humdrum reality (eg Big Fish). Then again, there are some very nice moments in here, like where Billy heaves his girlfriend's orange in the graveyard, or at the dance.
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Ace in the Hole (Billy Wilder) for a Stylus review.
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After the Wedding (Susanne Bier) at home on DVD. I enjoyed Mads Mikkelsen more in Adam's Apples but this is almost certainly the better movie. I kept checking the time counter because it constantly seemed like the end must be coming soon, but then another plot twist would be revealed. Not that it's an uninteresting scenario, but it felt kind of uneven. Maybe if I see it again it'll cohere better.
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Ruggles of Red Gap (Leo McCarey) at MoMA. I was apprehensive about this one after the first act or so. Up to that point Charles Laughton's valet basically just stands around and rolls his eyes, and the filmmaking is just not that interesting. The action really picks up once the group travels back to the state of Washington ("the West"). The Gettysburg Address scene was unexpectedly great, both for the long tracking shot and Laughton's understated delivery. It kind of seemed like something out of a more serious John Ford western. I thought the gags were funnier than in the other McCarey film I've seen, The Awful Truth.
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After This Our Exile (Patrick Tam) at BAM. A strong film but just brutal to watch. It's kind of like Bicycle Thieves if the mother ran away and the father had severe emotional issues, soaring gambling debt, and no moral compass. And if it were set in Malaysia.
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The New Excuse

This really raises the bar for alleged justifications for retirement:
Robert C. Dynes, who announced Monday that he'd step down as president of the 10-campus University of California system next June, said he wanted to resolve a controversy over top administrators' pay before making the decision. He said he would refocus on superconductivity research after spending five years as president.
I'll take that over "spending more time with my family" any day.

24th Five Films, 2007

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Crash (David Cronenberg) at MoMA. I liked this exactly as much as I've liked each of David Cronenberg's movies, which is kind of weird, considering I've seen five of them now. His isn't my favorite filmic reality to visit, but it is a very distinct and vital one, and one to which I gladly return. Here, James Spader, Holly Hunter, et al discover that they find car crashes to be erotic and start fantasizing about and engaging in them on purpose. I suppose "engaging in them" could be read as a double entendre, as well--the NC-17 rating was not for nothing.
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This Is England (Shane Meadows) at the IFC Center. I love the northern accents, and the clothes and music were both quite an experience. The ending is somewhat wrenching, if not unexpected. The kid, Thomas Turgoose, was extremely endearing, but not in a cloying fashion. From IMDb's trivia: "Thomas Turgoose had never acted before, had been banned from his school play for behaving badly and even demanded £5 to turn up for the film's auditions."
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Bob le Flambeur (Jean-Pierre Melville) at MoMA. I was hoping this would seem somehow more necessary than last time I saw it, but no. It's still fun, and the ending is great, but it all feels a bit by the book.
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The Simpsons Movie (David Silverman) at the AMC Empire 25. I didn't enjoy the action toward the end nearly as much as the straight comedy at the beginning.
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Liviu's Dream (Corneliu Porumboiu) at home on DVD. A terrific short (39 minutes) depicting the awkwardness of young lust and its consequences in a mid-sized, working-class city in Romania.
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2000s

Charles and Kevin discussed the top albums of 2000-09 at some point this weekend, although I'm not sure what that discussion actually consisted of. After joining I spent most of my time arguing that it didn't really matter for a variety of reasons, and that probably any choice would have serious failings.

Regardless, I felt inclined to make my own list, which consisted of a process of successive elimination, winnowing down seven times. Here are the top six:
  1. Junior Boys So This Is Goodbye
  2. Keith Fullerton Whitman Playthroughs
  3. Burial Burial
  4. Interpol Turn on the Bright Lights
  5. Yo La Tengo And Nothing Turned Itself Inside Out
  6. The Clientele Suburban Light
UPDATE

And now, the second and third tiers, unordered:
  • The Arcade Fire Funeral
  • The Black Keys Rubber Factory
  • Manitoba/Caribou Up in Flames
  • The Clientele Strange Geometry
  • Death Cab for Cutie Transatlanticism
  • The Futureheads The Futureheads
  • M. Ward Transfiguration of Vincent
  • Ricardo Villalobos Achso
  • The Thermals More Parts Per Million

  • Clap Your Hands Say Yeah Clap Your Hands Say Yeah
  • Devendra Banhart Rejoicing in the Hands
  • Drive-By Truckers Decoration Day
  • Explosions in the Sky The Earth Is Not a Cold, Dead Place
  • Greg Davis Arbor
  • Joanna Newsom The Milk-Eyed Mender
  • Junior Boys Dead Horse EP
  • Junior Boys Last Exit
  • Keith Fullerton Whitman Multiples
  • LCD Soundsystem Sound of Silver
  • My Morning Jacket At Dawn
  • My Morning Jacket It Still Moves
  • Out Hud S.T.R.E.E.T. D.A.D.
  • Panda Bear Young Prayer
  • Radiohead Kid A
  • Songs: Ohia Magnolia Electric Co.
  • Spoon Gimme Fiction
  • The Streets A Grand Don't Come for Free
  • The Thermals The Body, The Blood, The Machine

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Summer Music Report, Pt. 3

Thursday night I went and saw The Hold Steady. My issues with Craig Finn's voice and the band's sound (slightly bombastic pub rock?) have not dissipated. "Killer Parties" is the one song I wanted to hear and they closed with that, so everything turned out okay. Openers The Big Sleep were the unexpected highlight for me.

Friday night's show at the Mercury Lounge reminded me of why I maybe I ought to get out more often. Small space, enthusiastic crowd and even more enthusiastic band. Plus, Drug Rug was way more fun than I anticipated. When a band with a name like that announces that they're from Cambridge, Mass., before starting their set, I generally prepare for the worst. They played The Band's "Ophelia," and claimed they were ending their set with a Dio cover, though I couldn't confirm the veracity of that statement. I'd be happy to see them play again sometime.

This afternoon Kevin and I attended the second-to-last Pool Party at McCarren Park. The weather was perfect, the lines were either short or quickly-moving, the concessions were good, and both Ted Leo/The Pharmacists and The Thermals ripped through their sets with customary fire and dexterity, including some good covers. There were also some amazing-looking people wandering around. Between sets we stopped to watch a dodgeball game happening in a corner of the empty pool (there was a slip-n'-slide at another corner) because among the twenty-something hipsters was this nine year-old kid who wound up being the last of his team to get out, at which point the crowd lustily booed his assailant and one of his teammates thrust the kid up in the air.

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Saturday

Another movie at MoMI, another transportation disaster. I'll spare you the details, just note that an hour and fifteen minutes was not nearly enough to make this trip.

My time in Queens was made much more bearable by my copy of the AIA Guide to New York City, which I picked up today at the post office. It also came in handy while I was sitting in one of the glassed-in lobbies at the AMC Empire 25 after seeing The Simpsons Movie. You can see quite a number of buildings west of Times Square from the upper floors.

Thoughts

My iTunes library failed irreparably on Tuesday night for no apparent reason. The program just wouldn't read the current library or any of the archived temp versions from months past. So I've re-added everything and recreated all the playlists, although I'm still populating a couple of them. It kind of sucks.

On the way home tonight I was thinking that it would be really awesome if for some reason at the Randall's Island show, the Arcade Fire decided to ignore matters of reason and taste and cover "Stairway to Heaven," and then at the part where the drums and stuff really kick in, LCD Soundsystem appears behind them to double or triple the sound, and James Murphy chimes in on vocals along with however many Butlers and Chassagnes are already on the mic.

And I would have really preferred for Interpol to cover "All My Friends" rather than Franz Ferdinand.

I'll be sort of excited after my museum memberships lapse and everything to start watching more stuff on DVD, and maybe trying to see just new stuff in the theater, if only because it'll be less schizophrenic than my calendar this year.

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