Some Thoughts from the Capitol Hill Block Party

Wow, they could really use some walk-lanes through the wall-to-wall crowds. Just enough for people to pass by without bumping and/or grinding everyone they pass along the way.

Kind of wish I'd headed to Truckasauras instead of Menomena, but at least I satisfied my curiosity re. the latter band.

Maximal music ought to take up as much space as possible. Girl Talk just felt weird in the open air, with a decent but certainly not great soundsystem. The main delight of his mashups is the precise moment when one song crosses over onto another, that locking precisely into place like a puzzle piece, which was pretty much absent yesterday. That loss of clarity means you pretty much just get the most audible layer at any one time, so it played much more like a DJ set than laptop wizardry most of the time. At least that's how it sounded where I was standing. Music that looms so large just feels indecent when it's outsized by buildings and clouds.

Oh man, The Dodos made the weekend for me. At times they felt like a link between the more rhythmically talented post-punks and the tribal folk weirdos, a really nice sweetspot if you ask me. Intense but joyous.

Throw Me the Statue have some nice songs, and on record it sounds like maybe Robert Pollard is singing, but tonight the vocals were just not there at all. Granted, the sound was generally a bit off for their set, but I was just baffled by how small and weak the singing was. With most bands I'm happy to settle for a better sound on record, but since Throw Me the Statue is a local band who also seem like great people, it's kind of a shame.

Listening to Ys this week, I was struck by how incredible it would be if Joanna Newsom and Fleet Foxes put out a split (double?) EP where they covered each others' songs and also collaborated on some sprawling new epic. This would work particularly well since the two seem to occupy different regions of the same strange folky planet; Fleet Foxes' forthright, reverberating harmonies and guitars occupy a different place sonically from Joanna Newsom's mewling solo vocals and lilting harpistry, but they'd fit together so nicely.



Another 2006 album I underrated but re-heard this week is International Pony's Mit Dir Sind Wir Vier, which sounds absolutely perfect now. More precisely, it sounds like the soundtrack to sitting at home during the morning in late fall, looking out a frosted window with no particular plans to go anywhere. Kind of like the beginnings of my long November-January breaks in college. I think I ignored it when it came out because it didn't fulfill my expectations of sounding exactly like the single version of "Our House," but thankfully that period has ended.

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Same Old, Same Old

Kottke linked to this post discussing IQ scores for NFL players by position. Searching for further speculation, I found Marginal Revolution's post, where the commenters go wild patting themselves on the back for understanding the situation and frowning at everyone else for thinking differently.

Many seem satisfied by simply figuring out the strong correlation between predominantly white and black positions and leaving it at that, although that seems a bit shallow. For example, why are players segregated like this? Correlation is easy but causation is much harder. Assuming that most football players at any non-kicking position are imposing physical specimens, are offensive linemen simply the smartest of those too slow to worry about running around the field all game? This would not necessarily imply that intelligence is vital, but the final distinguishing factor between similarly talented large, slightly slower players. Or are the less heavy players simply too dumb to fatten up and push people around in the middle? Either method, of course, excludes race-based assumptions when evaluating players' abilities.

Then again, why should this be surprising? The news item and concomitant discourse are at roughly the same level of sophistication as most studies on health, class, or just about anything else more complex than weekend box office figures. Readers (and those they then choose to "inform") get excited and start chattering after figuring out the What and the Who, frequently ignoring the When, concocting theories--either bizarre, reactionary, or vehemently contrarian, but always personal--about the Why without consulting the available evidence, and nearly always leaving out the How, when methodology is nearly always the determining factor in any news item of this sort.

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Marauding in Midsummer

These are all techno remixes, mostly by Germans. Superpitcher and Michael Mayer both have their hands in two of the tracks. You'll notice the second track is actually twice removed from the original as it's a remix of Ada covering the Yeah Yeah Yeahs's anthem from several years back. I'm not sure exactly how to label the first track since in some sense it's just a remix of the Rufus Wainwright song, but such a massive reworking that it's really a new work all by itself.

01 Rufus Wainwright "Supermayer Lost in Tiergarten"
02 Ada "Maps (Michael Mayer and Tobias Thomas Mix)" [Yeah Yeah Yeahs cover]
03 Turner "After Work (Carsten Jost Mix)"
04 Heiko Voss "I Think About You (DJ Koze Mix)"
05 M83 "Teen Angst (Luciano Remix)"
06 The MFA "The Difference (Superpitcher Remix)"
07 Booka Shade "In White Rooms (Elektrochemie Remix)"
08 Junior Boys "In the Morning (Alex Smoke Remix)"

This mix brings two questions to my mind, the first of which is when exactly new Junior Boys material is coming. The second regards remixes from M83's latest album. Namely, why haven't there been any amazing ones yet? In addition to the Luciano remix here, Jackson's remix of "Run Into Flowers" is one of the few best things ever, and Superpitcher's mix of "Don't Save Us From the Flames" is a classic.

Download (64:46, 74.7MB)

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SP20



Another weekend, another outdoor festival. Two down and two [Block Party, Bumbershoot] still to go. Kevin and Andrew are at the very bottom of the above picture, just left of center, but I probably hadn't shown up yet. I believe this Flickr account is overflowing with official photography from Sub Pop themselves.

This was probably the most pleasant experience during the festival itself, smaller than Bumbershoot and Sasquatch yet more comfortable than the Block Party. The older bands were generally fun though not quite revelatory. Mudhoney was probably my favorite among the grunge set, though Eric's Trip was also fun. I didn't actually watch Mudhoney (heard them from the food lines) but Mark Arm was great fun during Green River's set, which brought out the grunge nostalgics in droves. If I recall correctly, Arm provided a lot of interesting stories for the Experience Music Project's oral history section.

Beachwood Sparks were the band I most wanted to see and aside from their sound being turned up a bit too loud, they were completely satisfying.

Iron & Wine satisfied far more than I expected, not in small part due to the fact that it was just Sam Beam, his beard, and his guitar. Fleet Foxes sounded much better than at Sasquatch, engaged the crowd and even playfully acknowledged The Fluid's idiotically soundcheck on the neighboring stage. Comets on Fire demolished everyone else on the schedule with a 20-minute blast of loud, heavy awesome followed up by some shorter slabs of the same.

Sunday I missed Kinski and Foals (who were apparently terrific) so I could have part of my weekend to, you know, catch up on things before the week got started again, having also been out all Friday night. Wolf Parade disappointed a bit, but it may have to do with the direction they're moving on the new record, which I haven't listened to yet since I'd been focusing on electronic music for the past several weeks. I might come around in time.

And there should be a new mix up soon with the best cover art yet. It'll consist of eight techno remixes, all with vocals, some from unlikely sources. Ear candy.

Saturday | Constantines, Eric's Trip, Seaweed, The Helio Sequence, Pissed Jeans, Fleet Foxes, The Fluid, Low, Mudhoney, The Vaselines, Iron & Wine, Flight of the Conchords

Sunday | No Age, Red Red Meat, Comets on Fire, Beachwood Sparks, Green River, Wolf Parade

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Not Yet Titled

The other night I dreamed that I was riding in a van and on the radio we heard Sigur Ros covering Daft Punk and it was the best music that had ever been made. Maybe it's Girl Talk taking over my brain.

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2008: First Half Films

*Cross-posted at the film blog.

Notable films so far this year, of the 100 I've tracked, ranked within each category. Not included are a few things from 2007 and other stuff I'd maybe already seen.

NEWER

Startling

Still Orangutans (Spolidoro)
Loos Ornamental (Emigholz)
Still Life (Jia)
Christopher Columbus: The Enigma (De Oliveira)
Eat For This Is My Body (Quaye)
Chop Shop (Bahrani)
Captain Ahab (Ramos)
Opera Jawa (Nugroho)

Good as Expected

Ballast (Hammer)
Pierre Rissient (McCarthy)
Shotgun Stories (Nichols)
Paranoid Park (Van Sant)
Flight of the Red Balloon (Hou)
Baghead (Duplass)
Great Speeches from a Dying World (Phillips)
Momma's Man (Jacobs)
Forgetting Sarah Marshall (Stoller)
Reprise (Trier)

Honorable Mention

Son of Rambow (Jennings) for cinematography
Blind Mountain (Li) for ending with an effective shock
Kung Fu Panda (Osborne/Stevenson) for fun

OLDER

Good as Expected

Sunrise (Murnau)
The Good The Bad and The Ugly (Leone)
Blade Runner (Scott)
Clerks II (Smith)
La Promesse (Dardenne)

Startling

Dead Man (Jarmusch)
Laura (Preminger)
Anatomy of a Murder (Preminger)
La Chinoise (Godard)
Pat Garrett and Billy the Kid (Peckinpah)
Daisy Kenyon (Preminger)

Average runtime: just over 105 minutes.
Average score: 1.78 stars.
Seen in a theater: 77%.

Countries (including co-productions)

US - 55 films
France - 15 films
UK - 6 films
Hong Kong - 3 films
Italy - 3 films
Thailand - 3 films
Canada - 2 films
China - 2 films

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