Nebulously Omnipresent

Max posted today about A Scanner Darkly, The Science of Sleep, and Caché. I responded about the first:

Particularly paired with Fast Food Nation, Linklater's films this year felt to me like mood pieces to further unsettle the already unsettled. Thom Yorke's Eraser is then the obvious and perfect musical counterpart*. It's not truly effective protest art because the dark forces that could/should be opposed seem so nebulously omnipresent.

See it all at mushroom or toadstool?.

*"Black Swan" plays over the end credits of A Scanner Darkly.